Exploring the Potential Presence of Colonialism in the Digital Art Field from A Global Perspective

Authors

  • Yiying Zhang
  • Liang Cao

DOI:

https://doi.org/10.56028/aehssr.8.1.66.2023

Keywords:

Digital Art; Globalization; Colonialism; Digital Universalism; Cognitive Violence; Digital Capitalism.

Abstract

The advancement of digital art has significantly transformed how artistic creations are presented. Nevertheless, this transformation is intrinsically entwined with the historical impact of colonialism. This article takes a global perspective to investigate underlying colonialism-related concerns within the realm of digital art. It begins by elucidating how colonialism distorts conventional art forms, often resulting in the erasure of indigenous cultures. Subsequently, it delves into the enduring influence of colonialism in digital art, encompassing aspects such as technological dominance, cultural value crises, and the emergence of digital capitalism. The study underscores the imperative for researchers to scrutinize this multifaceted issue through a global lens, honoring the richness of diverse cultures and facilitating equitable dialogues. Furthermore, the article advocates for the concept of "digital interruption," endorsing collaboration among peripheral nations and the pursuit of developmental avenues aligned with local circumstances. The presence of colonialism in digital art serves as a poignant reminder of the necessity to cultivate critical thinking, foster cultural empathy, and champion the causes of historically marginalized groups. Ultimately, this endeavor contributes to the positive and inclusive evolution of digital art.

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Published

2023-10-12